
Sound Objects L to R: Line of History, Throat and Ear, Stain Traveling Backwards, 2018, bronze, painted steel

Line of History (detail)

The Bender Room, detail from performance with sound objects, bronze and steel mounted on plywood, size variable

The Bender Room, detail from performance featuring Coconut with Rebeca Bollinger

Musical Score with Notes and Flowers, 2019, color laser print, 14 x 10.5 inches

Parallel H(ear), 2024, a collaboration with Patricio Coronado and Gus Tomizuka. Detail from installation and performance, photo credit: Scott Aronian


Parallel H(ear), installation view, aluminum, mirror, and bronze sited within a quadrophonic soundscape composed by Gus Tomizuka

Parallel H(ear), sound object detail, 2024, bronze, wire, aluminum, 44 × 28 × 28 inches

Parallel H(ear), sound object detail, bronze, 8 × 6.5 inches, photo credit: Serena Rockey


“Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka with an audio file link to the 5-hour asynchronous sound composition debuted in quadrophonic as part of the installation and performance Parallel H(ear)
















Sound Objects L to R: Line of History, Throat and Ear, Stain Traveling Backwards, 2018, bronze, painted steel
Line of History (detail)
The Bender Room, detail from performance with sound objects, bronze and steel mounted on plywood, size variable
The Bender Room, detail from performance featuring Coconut with Rebeca Bollinger
Musical Score with Notes and Flowers, 2019, color laser print, 14 x 10.5 inches
Parallel H(ear), 2024, a collaboration with Patricio Coronado and Gus Tomizuka. Detail from installation and performance, photo credit: Scott Aronian
Parallel H(ear), installation view, aluminum, mirror, and bronze sited within a quadrophonic soundscape composed by Gus Tomizuka
Parallel H(ear), sound object detail, 2024, bronze, wire, aluminum, 44 × 28 × 28 inches
Parallel H(ear), sound object detail, bronze, 8 × 6.5 inches, photo credit: Serena Rockey
“Chorale for four samples of a dry wash”, 2025, booklet by Gus Tomizuka with an audio file link to the 5-hour asynchronous sound composition debuted in quadrophonic as part of the installation and performance Parallel H(ear)